
CCAD students, 1950s. Those drawing horses and easels look eerily familiar, don’t they? And check out those smocks.

CCAD students, 1950s. Those drawing horses and easels look eerily familiar, don’t they? And check out those smocks.
After I got my knitting machine, I practiced quite a bit. I made a sweater vest on it. Then I got distracted with other parts of my thesis and trailed off practicing. And now look at the calendar! It’s already march and I need to get my act together. Last week, I did some retail investigation into grading and sizing of commercial pullover-style garments. I combined my findings with my own notes about the pattern I want to create. At this point, I have a solid sweater pattern in sizes s, m, l, and xl.

Now that I have patterns, I’m ready to start making test garments. A few days ago, I called the people in South Bloomfield who will be spinning and dying yarn for me, and I made a small preliminary order—just enough yarn so I can create one sample sweater in each size.
I’m not anticipating a lot of trouble with the pattern, but it’s high time to have the final materials in my hands and to start making finished garments. Once I iron out any difficulties, I will essentially be ready to start producing en masse!
Speaking of en masse, I’m getting a little anxious about all the sweaters I need to make! While I’m not interested in making thousands of sweaters, I would like everyone who wants one to have one—and I don’t want to be running a sweatshop to get it all done. I really need to find a way to produce the knitted pieces I need offsite. When I go pick up this first batch of yarn, I’m going to ask Toia about outsourcing some of the machine-knitting work so I can produce more overall garments!

Day 82: thu, 6 mar 2014. La-Neka gives me some machine-knitting advice, despite dirty, broken-down equipment.

Pieter Brueghel the Elder. The fight between Carnival and Lent. 1559.

Day 81: mon, 3 mar 2014. Everybody wants to see cool things in Motion Graphics.